Across The Dark Waters [Song]

ACROSS THE DARK WATERS

darkwaters1


Performed by Kobo Town
Lead singer/songwriter Drew Gonsalves

Across the dark waters we came, with despair in our eyes,
To rest beneath these foreign skies
And so began the endless wait
For an end to misery, for an end to history
In this new land we came to learn
About greed’s capacity to incite our cruelty
Over time we came to yearn
For the precious liberty that always stood beyond our reach

But the wheels of history grind slowly
Circumstance never smiles on the lowly
Everywhere we see contradictory signs
Perhaps tomorrow will bring a brighter time…

Tumblin’ off the grandstand on the savannah
Bubblin’ out the speakers on every corner
Breakin’ over the mountains like a mighty thunder
Our hope is a restless song
Rising up from the sands like a defiant flower
Holding and consoling us in our darkest hour
Sweeping over the country like a dry-season shower
Our hope is a restless song
Our hope is a restless song

Across the dark waters we passed
To arrive where we now stand in this divided land
Few believed that we could last
To build a nation on these shores but look how we endured
In this former colony things are never what they seem
Beneath every place we see is a tortured history
The past could trample us, it could not rub out our dreams
And though we reached the present time
We have not left them behind.

But the wheels of history grind slowly, ever so slowly
Circumstance never smiles on the lowly
Everywhere we see contradictory signs
Perhaps tomorrow will bring a brighter time…

Tumblin’ off the grandstand on the savannah
Bubblin’ out the speakers on every corner
Breakin’ over the mountains like a mighty thunder
Our hope is a restless song
Rising up from the sands like a defiant flower
Holding and consoling us in our darkest hour
Sweeping over the country like a dry-season shower
Our hope is a restless song
Our hope is a restless song

You are my land, you are the land of my birth
For better or for worse, you are the land of my birth
First in sickness and in health
And in good times and bad
I bow to you oh Trinidad!
Though I have lived out my life far across the sea
In a foreign country, in a frozen city
But I know I would be back again
You are the land running though my veins
You are my land , the land of my life
Your joy is my light and your sorrow my night
Your vision my sight, your soil my birthright
You are the land of my struggle
And your plight is my fight
The land of my struggle
And your plight is my fight

Tumblin’ off the grandstand on the savannah
Bubblin’ out the speakers on every corner
Breakin’ over the mountains like a mighty thunder
Our hope is a restless song
Rising up from the sands like a defiant flower
Holding and consoling us in our darkest hour
Sweeping over the country like a dry-season shower
Our hope is a restless song
Our hope is a restless song
Our hope is a restless song!

© Copyright – Kobo Town.
Lyrics posted with the kind permission of Kobo Town.

....................................................................................................



A Note From The Gull

Thank you, Kobo Town!

I first posted this song on September 28, 2006 when it had just been released and I am reposting it today on behalf of my people who are about to make decisions that will have immediate and lasting impacts on their lives and the lives of their children. I am reposting this song also for the Trinbagonians abroad who are on tenterhooks, anxious, wishing they could be part of it, communicating frequently with friends and relatives at home to share news about the latest developments.

“Our hope is a restless song.”

It isn’t enough that Kobo Town’s music is too sweet to resist, it is obvious that their lyrics/songwriter is also a poet. I have read these words again and again without any music, marveling over the lyrical musings of a Trinidadian who has not forgotten the land that is his birthright. I remember the title of one of Darcus Howe’s articles in the New Statesman containing the following statement about Trinidad: “Not even the cascadura fish could lure me there.” For many Trinidadians living abroad, it would be sweet relief to realise such closure. Neil Bissoondath also expressed a similar sentiment, having attained the enviable release of not having a single regret about leaving Trinidad or having the slightest desire to return.

But what of those who must live apart from a land that they continue to feel as a constant tangible presence running through their veins, as Drew describes it. What must they do to come to terms with the fact that they exist in a constant state of bilocation? Drew uses the vehicles of poetic words and music to give expression to sentiments shared by many expatriate Trinidadians who still love the land of their birth, who feel concern for the plight of their country and dream about return at some point when the choices available to them are not either the cold stability of a foreign land or the steamy chaos back home. In the mean time it is therapeutic just to share, to testify:

You are my land, you are the land of my birth
For better or for worse, you are the land of my birth
In sickness and in health
And in good times and bad
I bow to you, oh Trinidad
Though I have lived out my life far across the sea
In a foreign country in a frozen city
But I know I would be back again
You are the land running though my veins
You are my land, the land of my life
Your joy is my light and your sorrow my night
Your vision my sight, your soil my birthright
You are the land of my struggle
And your plight is my fight
The land of my struggle
And your plight is my fight


This speaks on behalf of Trinbagonians who are physically separated from their country but we cannot ignore the fact that there are many Trinbagonians who reside in their country and who feel an alienation and exile that is just as deep and distressing. For many there is a sense of dispossession and not just the material sort. Trinbago, for them, is a place where things are done to them more than for them or by them. Trinbago is a place where grown men and women can be slapped down and made to feel like ignorant children, without a voice, without respect, a place where you begin to suspect that the only "intelligence" that is encouraged is the sort that is required for survival in a Hobbesian jungle. Higher level thought is often seen as something to be feared, dismissed and derided because it questions and intimidates and is therefore a threat to the status quo.

For me, this song touches upon so many aspects of the experience of being a Trinidadian and the impact of a turbulent history on what remains a turbulent society today.

In this former colony things are never what they seem
Beneath every place we see is a tortured history


Drew neglects neither the good nor the bad that exists, but in weighing them both chooses to focus on the resilience, the “defiant flower”, the exuberance of the Trinidadian that despite everything continues to give us the capacity to dance. The conclusion that this song exudes is one of hopefulness and love because that is what exists in the eye of this beholder:

The past could trample us
It could not rub out our dreams
And though we reached our present time
We have not left them behind.

Perhaps tomorrow will being a brighter time
Tumblin’ off the grandstand on the savannah
Bubblin’ out the speakers on every corner
Breakin’ over the mountain like a mighty thunder
Our hope is a restless song
Rising up from the sands like a defiant flower
Holding and consoling us in our darkest hour
Sweeping over the country like a dry-season shower
Our hope is a restless song
Our hope is a restless song


This is the optimism that has been under constant siege in Trinidad and Tobago, that is being leached away by the acid rain of unrelenting betrayals, both self-inflicted or otherwise:

And so began the endless wait
For an end to misery, for an end to history
In this new land we came to learn
About greed’s capacity to incite our cruelty
But over time we came to yearn
For the precious liberty that always stood beyond our reach


The title “Across The Dark Waters” is also well chosen. We had come to associate this specifically with the East Indian experience of crossing the kala paani or Dark Waters to arrive in Trinidad, and this transatlantic crossing of dark waters had also been part of the Afro-Trinbagonian experience but here Drew expands this experience to include all who came (and are still coming – Welcome!). We are all united in that experience of the fear and uncertainty of crossing from the familiar to the unfamiliar. Perhaps what Trinidadians are experiencing today is another Dark Waters. Perhaps if successfully negotiated, this is the crossing that will take us not to a new country but a new appreciation of what this country means to us and our place in it.

But over time we came to yearn
For the precious liberty that always stood beyond our reach


In conclusion, I just have to confess that of late I have been frequently repeating to myself the line, “Our hope is a restless song.” For me that says it all.

Thanks always, Kobo Town.

"Patria est communis omnium parens" - Our native land is the common parent of us all. Keep it beautiful, make it even more so.

Blessed is all of creation
Blessed be my beautiful people
Blessed be the day of our awakening
Blessed is my country
Blessed are her patient hills.

Mweh ka allay!
Guanaguanare

Trinidad and Tobago General Elections 2010

4 comments:

Anonymous said...

G,
Very inspiring song and message but some will still say Better the old devil you know than the new devil you don't! :(

wsteffie said...

Beautiful music as well as lyrics, thank's for sharing.
I think the lyrics do reflect the feelings of a lot of immigrants from the carribean, not just T&T.

Guanaguanare said...

Anon,
Thanks for visiting and commenting. What you pointed out supports the messages here. The period of crossing over from the familiar to the unfamiliar is one where several emotions might be experienced - uncertainty and fear of the unknown, feelings of loss over what is being left behind, a wishing to retreat to old comforts. But for many, in addition to or despite their worst fears, there is also hopeful anticipation and excitement and an awakening of empowering confidence in self.

We'll just use "devil" figuratively because nothing is ever that simple, but I suspect that that expression about choosing the old devil rather than the new was coined by an old devil as an argument for prolonging his tenure. Take it from me, when you know one devil, you know them all.

The more important question to ask ourselves is what do our devils know about US and how have they used this knowledge in the past, how will they continue to do so in the future, if given the opportunity? It is OUR respectability and OUR credibility that are being challenged here, not the devils'. Dey doin' dey wuk like all self-respecting devils should. We are being called to do ours.

So I would say to the conflicted that we should forget about cosying up to ANY devils that we've come to know and love/hate. These include the ones that we can so easily point out in others AND the ones ensconced snugly within ourselves which often escape detection and censure, and which travel on with us to ensure that we will repeat our errors ad infinitum. Just some thoughts...

Buena suerte, Trinbago!!!!

Blessings

Guanaguanare said...

Wsteffie,
Thank you so much for both comments. I will respond to the other comment after I have had the opportunity to listen to the music to which you've directed me. Yes, ALL immigrants probably feel this to some extent. Some manage to put it behind them but some are never free.
Blessings