Unity [Song]

Uploaded by Glenroy Joseph
UNITY
By Lord Kitchener

When they talking race, I does tell dem, No
This is not the case in Trinidad and Tobago
Is dem politician that using dey brain
Misleading the nation for they own political gain
The problem is culture, it ent race at all
But that we can conquer if we stop thinking small
I have a vision and if I am seeing right
I think I see the solution that could put an end to this fight.

I see the rolling of a tassa, beating of a pan
As they play together, I see unity in the band
That combination mark the end of a long dispute
A sign that the Indians and the Negroes should follow suit.

How do you explain a racial tension?
I wouldn't entertain such ridiculous allegation
Our Indian brother always striving for unity
We support each other for more than a century
They patronise us, we patronise them
Without any fuss and without any problem
It is nothing racial, my friends, I can assure you
It is just a cultural division between the two.

I see the rolling of a tassa, beating of a pan
As they play together, I see unity in the band
That combination mark the end of a long dispute
A sign that the Indians and the Negroes should follow suit.

Dem wicked devil who inciting race
They want to see trouble and bacchanal in the place
But we're a peaceful people and we smarter than that
We wouldn't be inveigled into starting any combat
For instance, we meet at the races, the luncheon and the party
With lots of embraces, you can feel the sincerity
Well, such behaviour has just established my case
The problem is culture and nothing to do with race.

I see the rolling of a tassa, beating of a pan
As they play together, I see unity in the band
That combination mark the end of a long dispute
A sign that the Indians and the Negroes should follow suit.

Source: The lyrics posted on this blog are often transcribed directly from performances. Although it is my intention to faithfully transcribe I do not get all the words and I have a knack for hearing the wrong thing. Please feel free to correct me or to fill in the words that I miss by dropping me a message via e-mail. I'd be forever grateful. Thanks in advance! ..............................................................................................................................

A Note From The Gull

Thank you, Lord Kitchener.

"Patria est communis omnium parens" - Our native land is the common parent of us all. Keep it beautiful, make it even more so.

Blessed is all of creation
Blessed be my beautiful people
Blessed be the day of our awakening
Blessed is my country
Blessed are her patient hills.

Mweh ka allay!
Guanaguanare

Richard Sudan: "VS Naipaul does Trinidad a disservice."

Lively comments follow this article at the original source.

VS Naipaul does Trinidad a disservice.
The new government, free of racial divide, represents a modern Trinidad far from Naipaul's mocking contempt.
By Richard Sudan
UK Guardian | Thursday 10 February 2011

"The Caribbean island of Trinidad has produced no shortage of notable figures – from great thinkers such as its first prime minister Eric Williams and the social theorist CLR James, to legendary sports personalities such as the Olympic gold medal winner Hasely Crawford, the cricketer Brian Lara and the sprinter Ato Boldon.

The nation's diverse cultural makeup stems from its colonial past, with a population largely of Indian and African descent. One of the most recognisable sons of Trinidad is the writer and Nobel laureate VS Naipaul. In 2008 Naipaul was listed 7th in the Times's list of the greatest postwar British writers. He was knighted in 1989 and received the Nobel prize for literature in 2001.

His work draws from his experience of living in Trinidad. There is no doubting Naipaul's mastery of the English language and his ability to weave compelling narratives. But what becomes overwhelming when delving into the depths of his prose is a dark undercurrent of racism – an almost barefaced contempt for the people of his own country. This is not new and certainly not unique to Naipaul.

Trinidadians are more united than Naipaul depicts. They voted for the new People's Partnership coalition administration and Trinidad's first female prime minister Kamla Persad-Bissessar at the general election last year, from a desire to see change in the old political status quo rooted in Patrick Manning and the People's National Movement (PNM). The People's Partnership swept to victory through a renewed sense of identity and in a bid to see a political system reflective of the will of many, free from charges of corruption, and representative of all races in Trinidad.

The remaining racial divides are a hangover from the days of slavery and the British occupation. They reek of the inferiority complex that many Trinidanians had drummed into them from birth – and this is what Naipaul panders to in his novels Miguel Street (1959) and A House for Mr Biswas (1961), in which the underlying mockery of Indian Trinidadians is the defining thread. It leaves the reader with a bitter taste.

Such sentiments from Naipaul were not limited to Trinidad. The writer Paul Theroux, once a friend and protege of Naipaul, cited him during their time together in Africa as having "a fear of being swallowed by the bush, a fear of the people of the bush" – referring to Naipaul's fear of Africa and African people.

It is opinions like Naipaul's of Trinidad – and of Africa – that have been given the most attention. There is, however, another perspective, one that better sums up Trinidad and adheres more to the reality of life for its people – and how they feel about it.

My family's home is next to the house that Naipaul grew up in and used as the basis for A House for Mr Biswas. My late great-uncle, Roy Sudan, wrote an essay on life growing up in the street, published in the early 1990s. It paints a different picture of life and speaks of the sense of pride that Trinidadians feel toward their country, a pride felt in the warmth that resonates from the people of Port of Spain today. One extract from the essay best sums these sentiments up; Sudan, writing about the hustle and bustle of the city, speaks of "the friendly participation of every creed and race, especially when the suburb of St James celebrates our two cultural events, Hosay and carnival" – indeed, carnival celebrates independence from the British empire and Trinidadian pride. But Naipaul's writing has never reflected this.

We must challenge opinions such as Naipaul's, especially when they are indicative of wider views, which are only reinforced if they are taken seriously. We need to question any prejudice rewarded, especially by such a potent symbol of empire, the coloniser, which gave Naipaul a knighthood. Dealing with such controversial neocolonial views is paramount to changing people's perceptions."

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A Note From The Gull

Thank you, Richard Sudan, for giving me the opportunity to wonder if what the world needs is yet another article about V.S. Naipaul's misrepresentation of the country of his birth. I am well aware that the only reason that Naipaul gets this attention is because he is something of a celebrity and we'd like to piggyback on that fame to use him as our cultural ambassador. It leaves us with egg on our faces when a famous son of the soil does not follow the "Trini to de bone" script but takes every opportunity to go down to the Thames with bar of blue soap and a paddle to wash our dirty linen in public.

I have, from my childhood, heard mere peons echo similar Naipaulean comments without knowing anything about Naipaul except that he was definitely not as relevant to their lives as was the East Indian shopkeeper selling them their poisons of choice. They lacked Naipaul's impeccable command of the Queen's English, but soared nevertheless in their own fashion upon the tongue loosening updrafts of puncheon spiked with the sheer joy of unchecked cussing. My home was a no-curse zone so I owe a debt of gratitude to these men who stood, swayed and then slumped onto the curb each Friday night as they celebrated the end of another week of backbreaking manual labour or mindless DEWD curb hacking or crippling unemployment. They could sum up Trinidad and Tobago without fear of contradiction. On many a night I would lie in my bed smiling into the darkness as their expletives cracked the air. Thanks to them, my inner canal conks and La Bas crab were stirred into early awakening.

I have never seen one article written about these men or their opinions about Trinidad and Tobago because they were not famous men. And what about the citizens of Trinidad and Tobago who silently half agree with Naipaul but feel compelled to publicly three quarters disagree? And what about the citizens of Trinidad and Tobago who don't have the luxury of raising their heads from bread and butter issues to give a damn about who denigrates or loves their country? Mister Naipaul is entitled to his opinions about the country of his birth and about any other country in the world. If his life experiences have lead him to this understanding of things, or if as some believe, he is pandering to a particular audience, what sense does it make to continue raking him over the coals.

I started reading Naipaul in secondary school because he was on the reading list and I thoroughly enjoyed his books. At that time I read A House for Mister Biswas, Miguel Street, the Mimic Men, Mystic Masseur and Mr. Stone and the Knights Companion. Naipaul's books never made me feel trapped or hopeless about Trinidad and Tobago. On the contrary, I felt that their message was always that as long as there was life in the mind, there would be hope.

So forgive me if I cannot understand why it is Mister Naipaul's commentary on this alleged "racial divide" in our country that should get the attention and not what the people who actually live in T&T think about the matter. Who is asking them for their opinions? Mister Naipaul is only one voice. It was Sat Maharaj who as recently as August last year spoke about that same racial divide and stated that a discussion should be had.

"He said the cultural and racial divide in this country is a discussion that must not be overlooked.

"It's a necessary discussion, we must have the discussion. People must understand. Were it not for the fact that this is a free country our culture will be suppressed," SOURCE

I have no idea what cultural/racial divide exists in my country since I never experienced it myself or ever heard mention of it from the people of African or East Indian descent with whom I grew up. But I agreed with him that we should have the discussion to finally conclude whether this is just a convenient myth.

We should also ask ourselves if, when it comes to Mister Naipaul, we are not mistaking hot tabanca for cool contempt. I tend to believe that people continue to react negatively against real or perceived hurts/disappointments experienced over their lifetimes but especially in their formative years. I call this unfinished business tabanca and I think that Mister Naipaul has it bad.

"Patria est communis omnium parens" - Our native land is the common parent of us all. Keep it beautiful, make it even more so.

Blessed is all of creation
Blessed be my beautiful people
Blessed be the day of our awakening
Blessed is my country
Blessed are her patient hills.

Mweh ka allay!
Guanaguanare